Elements
Welcome to the “Elements” section of A Branch of the Arts and member access to my complete body of visual art works. Aside from the photography archives, each set of Elements archives provides pieces in chronological order, with a few words about the inspiration for the piece; and, where appropriate, a discussion of the “process” in creating it. I have also taken the opportunity to provide some autobiographical information along the way, giving my members the life-context of the artist and the story behind each creation.
With writing, the “way in” is through the reader’s eyes, the better to reach the mind. With visual art, the “way in” is also through the eyes, but the ultimate goal is to reach the viewer’s heart. This is not to say that writing doesn’t touch hearts, or that visual art doesn’t stimulate minds. Of course, both genres involve the heart and mind; but writing is certainly the more cerebral of the two, visual art more visceral. I am fascinated by this difference, and how different each genre makes me feel when working in it. As an artist, I find it can be helpful, even therapeutic to be aware of which is which, in terms of feeding my creativity at any given time.
The acrylic painting archive traces my development as an acrylic painter. It opens with my first efforts as a complete novice in February of 2017 and on up to the present. There is evidence of some degree of natural facility with it in the early going, which was exciting at the time. But my development beyond those encouraging beginnings is the story of working to develop the necessary skills, learning various techniques, studying the genre itself, exploring different subject matter, and a host of other challenges. All this may be seen in my progression from piece to piece, aided by the text provided. But the learning never stops.
The pieces displayed in the photography archives are not given chronologically, as a different method of categorization was necessary based on different subject matter; and photographs in a given category may well have been taken on different dates with different cameras. Every mobile phone is also a camera these days, so the means to do photography is more portable and available than ever before; and, regardless of your preferences in a camera, some of these cellphones can take high quality pictures. My photography archives do contain photographs taken with my iPhone, but primarily shots with my Canon EOS Rebel T5.
The sketches and drawings archives contain sketches/drawings in pencil, and drawings in charcoal. I did some sketching with pencil and paper as a child, mostly portraits of family members, and I remember they were quite good. Unfortunately, none of these sketches survived my childhood, lost somewhere in the domestic shuffle. I picked up pencil drawing again around the time I started painting, as sketching is foundational to painting as I practise it. Using it with my newfound love of acrylic painting reawakened my love of pure sketching and drawing, as well as the eye-hand skills I had only begun to develop in my youth all those years ago. This eventually led me to doing some work with charcoal too in late 2018.
Right now, the mixed media archive contains just two pieces, but they are special pieces for several reasons, as members will see. I stumbled upon the idea of working in mixed media accidentally, walking the beach in Branch, looking for subject matter in Nature for future acrylic paintings. I believe members will find the story behind each piece of some interest, as virtually all the elements used in both pieces were found on the strand directly in front of our beach house in Branch. Both mixed media pieces are among the variety of works I am offering for sale or auction.
Note: Only members have full access to the archives in all three genres.
The Visual Arts Archives
- Introduction to the Visual Arts Archives
- Archive 1: Acrylic Painting Archive
- Archive 2: Mixed Media Archive
- Archive 3: Pencil Sketches and Charcoal Drawings Archives
Archive 4: Photography Archives (content to be uploaded)
Quarterly Artwork Review
Every three months I review a work of art for members and visitors. It may be from anywhere in the world, or just up the road. It may be centuries old, a twentieth century piece, or a new work by someone I wish to highlight. If it is new, it is something I am highly recommending, and I will tell you why. If it is not new, I think it important enough to remember and revisit, or for younger members and visitors to know about. (Note: Even the best photograph damns the work with faint praise.)
This Quarter (Q3, 2023): Sculpture in the 21st Century
For my artwork review this quarter, I am highlighting some of the newest and most dynamic, thought-provoking sculptures from around the world.
1)
Force of Nature in London, United Kingdom
Located in a few major cities around the globe, it was designed by Italian artist Lorenzo Quinn, inspired by the destruction brought on by hurricanes. It is made from bronze, stainless steel, and aluminum, and depicts Mother Nature hurling the planet in circles. As this one shows, one of the most prominent aspects of a lot of contemporary sculpture is creating the illusion of dynamic movement, and this piece is an excellent example of this.
2)
Les Voyageurs in Marseille-Fos Port, France
Les Voyageurs, by Bruno Catalano, evokes memories and the parts of themselves that every traveler leaves behind when they leave. Like many contemporary sculptures, it makes a point by highlighting what is missing.
3)
Non-Violence in New York, New York
Non-Violence (also known as The Knotted Gun) by Carl Fredrik Reuterswärd stands beside the United Nations in New York, and has come to represent hope for a nonviolent future. Cited as one of the primary inspirations behind the arms-to-art movement, it is especially poignant and powerful given the steady stream of mass shootings in the U.S. in recent years.
4)
Freedom Sculpture in Philadelphia, Pennsylvania
Freedom Sculpture is a 2001 piece designed by Zenos Frudakis. The 7,000-pound and 20-foot-long bronze piece depicts the struggle involved in breaking free from all that holds us back. Note that this piece brilliantly employs both of the two previously mentioned features – the illusion of movement and the highlighting of what is missing.
5)
The Shoes on the Danube Bank in Budapest, Hungary
Created by Can Togay and Gyula Pauer, The Shoes on the Danube Bank is a 2005 work commemorating the hundreds of Hungarians who were ordered to leave their shoes on the bank of the river before they were shot during the Holocaust. So powerful, and it is interesting to observe that, in this piece, what is missing are the human beings who owned the shoes.
(Members click here for the archived Quarterly Artwork Reviews from past quarters)
From the Archives
Each quarter I will feature here a visual art piece of mine taken from the archives, and tell the story behind its creation. It will remind members that they have full access to all the archives, and it will give visitors to the site a peek inside and, hopefully, cause to consider joining us. (Note: Again, please bear in mind that photographs can never do justice to a work of visual art.)
Quarter 3, 2023
This quarter (Q3, 2023): Sketches and Charcoal
This quarter I am featuring the kinds of visual art that I’ve done which I rarely do – sketching with paper and pencil and working with charcoal. Sketching is how I first experimented with visual art as a child, and it is something I should really try to do more often. And while the results with charcoal are fine, I found the work to be far too messy, and I don’t expect to be doing much more of it.
Charcoal
Behind the Ferryland Lighthouse is my very first charcoal drawing, done under the tutelage of veteran Newfoundland visual artist Randy Blundon, started in his studio and finished at home. It is a charcoal drawing of a picture of the Ferryland lighthouse, approaching the site from behind…
A few weeks later I did my second charcoal drawing, Charcoal Moon, with the view from the beach house in Branch on a beautiful moonlit night as the subject…
I came away from this one with mixed feelings. On the one hand, I was discovering that working with charcoal is something I didn’t much enjoy doing; yet, on the other, I wanted to do a better job with charcoal on the moonlit view from the beach house, before laying it aside indefinitely.
The following week I approached Charcoal Moon II with a fresh attitude, and with the benefit of having done it once before. I also realized that the view is more imposing than shown in the first version, so I did this one on a sheet of oversized charcoal sketching paper, with a portrait rather than a landscape orientation…
Pencil and Paper Sketching
The only visual art I created before seriously turning to it in my late 50s was drawing/sketching as a boy. I’m told I was reasonably good at capturing the essence of my subjects for portrait drawings (family and friends), but I dropped it around the time my father taught me to play guitar, which was more useful in attracting girls. My sketching didn’t come back into play until I started acrylic painting, using sketches to plan out the pieces. The first time I did so, I was amazed by how much I retained from my juvenile years.
My first sketch as an adult came on a trip to Montreal for a long weekend in 2017. Everybody else went shopping on Saturday, and I stayed home at the rental. For some reason I decided to try some freehand sketching. Still life seemed to be the best approach and, looking around the living room, my eyes settled on a white bowl of bananas. Again, I was stunned by how easy it was to reawaken my rudimentary childhood sketching skills, and it took no more than 15–20 minutes to complete…
The only other sketch I did as an adult was done in 2020, soon after moving into our new home in Miramichi, New Brunswick. I’ve always loved birch trees, but they are few and far between in Newfoundland. Thankfully, they’re much more plentiful in New Brunswick, and one of them holds a special place in my heart. When we came to view the property initially, an A-frame and a full acre right on the Miramichi River, a mature birch tree stood proudly in the open by itself, centered on the land nearer the river. My love of birch is so strong that it felt like the tree was welcoming me personally to our new home, and it continues to be a daily source of peace and joy. By the time we bought the house and moved in, it was October, and the deciduous birch was almost bare. Soon thereafter I sketched it for the first time, calling it Welcome…